Friday 15 October Saturday 16 October Sunday 17 October Monday 18 October Tuesday 19 October Wednesday 20 October Thursday 21 October Friday 22 October Saturday 23 October Sunday 24 October Monday 25 October Tuesday 26 October Wednesday 27 October Thursday 28 October Friday 29 October Saturday 30 October Sunday 31 October Monday 1 November Tuesday 2 November Wednesday 3 November Thursday 4 November Friday 5 November Saturday 6 November Sunday 7 November Monday 8 November Tuesday 9 November Wednesday 10 November Thursday 11 November Friday 12 November Saturday 13 November Sunday 14 November Monday 15 November Tuesday 16 November Wednesday 17 November Thursday 18 November Friday 19 November Saturday 20 November Sunday 21 November Monday 22 November Tuesday 23 November Wednesday 24 November Thursday 25 November Friday 26 November Saturday 27 November Sunday 28 November Monday 29 November Tuesday 30 November Wednesday 1 December Thursday 2 December Friday 3 December Saturday 4 December Sunday 5 December Monday 6 December Tuesday 7 December Wednesday 8 December Thursday 9 December Friday 10 December Saturday 11 December Sunday 12 December Monday 13 December Tuesday 14 December Wednesday 15 December Thursday 16 December Friday 17 December Saturday 18 December Sunday 19 December Monday 20 December Tuesday 21 December Wednesday 22 December Thursday 23 December Friday 24 December Saturday 25 December Sunday 26 December Frusciante made a point to credit early PiL for being a major inspiration; that band's Metal Box is indeed an apt point of reference, with the album's long-form tracks taken to a further extreme here and skeletal, wide-open arrangements fostering a desultory, claustrophobic touch.
This is, however, no attempt to re-create Metal Box. Frusciante 's spindly guitar generates cautious prickles rather than abrupt slashes, Lally 's deep basslines rumble rather than throb, Klinghoffer 's drums are more heavy on the toms than the bass drum; in fact, the bleak, sparse nature of most of these 45 minutes recall the quieter passages of Fugazi 's "Suggestion.
His ever-developing synth playing -- closer to piercing accents than anything musical -- makes the occasional welcomed interruption. At times, there's a little too much puttering around going on, but the majority of the album is both haunting and bracing enough to keep you anxiously awaiting the next development. One does get the feeling that this album and the one that followed from the same sessions could've been condensed into one hour-long slab. AllMusic relies heavily on JavaScript.
Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. The guitarist is aided by now-regular associate Josh Klinghoffer on drums and synthesizer; Fugazi's Joe Lally plays bass. All three played roles in the songwriting process, and the recording has a very spontaneous, searching thrust to it, so it makes total sense that it's credited to a band -- as opposed to Frusciante's relatively private-sounding solo releases.
Frusciante made a point to credit early PiL for being a major inspiration; that band's Metal Box is indeed an apt point of reference, with the album's long-form tracks taken to a further extreme here and skeletal, wide-open arrangements fostering a desultory, claustrophobic touch.
This is, however, no attempt to re-create Metal Box. Frusciante's spindly guitar generates cautious prickles rather than abrupt slashes, Lally's deep basslines rumble rather than throb, Klinghoffer's drums are more heavy on the toms than the bass drum; in fact, the bleak, sparse nature of most of these 45 minutes recall the quieter passages of Fugazi's "Suggestion. His ever-developing synth playing -- closer to piercing accents than anything musical -- makes the occasional welcomed interruption.
At times, there's a little too much puttering around going on, but the majority of the album is both haunting and bracing enough to keep you anxiously awaiting the next development. One does get the feeling that this album and the one that followed from the same sessions could've been condensed into one hour-long slab. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans.
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Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around A Saucerful of Secrets the main track from the eponymous album was, for Nick Mason at least, where it all began.
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